In the studioConservatory
Formation and fluency.
Through the Conservatory, College, and Annie Moses Method, students are formed in performance, theory, and composition from first study to professional mastery.
Visit the ConservatoryThe Institute
A conservatory, performing arts center, and publishing house in Middle Tennessee forming Christian artists for the glory of God and the renewal of culture.
What we do
Teaching, performing, and creating — three institutional bodies carrying forward a single vision for Christian artistry and the long life of culture.
In the studioConservatory
Through the Conservatory, College, and Annie Moses Method, students are formed in performance, theory, and composition from first study to professional mastery.
Visit the Conservatory
On stageStage
The Playhouse, Festival, touring concerts, and original stage works — the season as it unfolds.
See what's on
Benjamin CelloWorks
Original works in print, on screen, and through song — preserving and extending the Institute's work for the long life of culture.
Browse the CatalogOn Stage
Concerts, festivals, and stage productions from the Institute, the Packard Playhouse, and the Annie Moses Band.
The Conservatory
A complete musical formation — from a child's first lessons to a professional portfolio — taught by working artists in the Annie Moses tradition.
Ages 6–11. The entry tier — private study, theory and ear training, drama, and the weekly performance habit.
Foundation →Ages 12–18. Sixty-minute private study, composition for collegiate-track students, and pre-collegiate planning.
Pre-College →The Associates Degree in Music — a two-year, career-focused conservatory degree culminating in a capstone portfolio.
College Program →Works
A musical, an album, a children's series, a hymnal — the Institute's published work outlives the season.

Album
Annie Moses Band

Album
Annie Moses Band

Album
Annie Moses Band
KIN, from Annie Moses
The Institute's streaming home — original films, recorded concerts, and long-form conversation with the artists and thinkers in our orbit.
Every film and concert on KIN is kept free by the patrons of the Institute. Become a patron →
The Journal
A quarterly notebook on music, formation, and cultural life — published by the Institute, written by its faculty and friends.
NOTE
Who knew that being a homemaker was so disgusting? It was all over social media: “You’ll never believe what he said.” So, prepared to be scandalized! I watched the commencement speech that shook the world, made by the kicker for the Kansas City Chiefs, Harrison Butker, and discovered that the world was shocked, simply shocked, that he had the gall to go and say the most natural thing to have ever been said by a loving husband about a loving wife.
Annie Wolaver Dupre · April 2026
NOTE
I met a witch my first week at Juilliard. We were both freshman and I had gotten to know her roommate. The three of us went to eat chinese food on my birthday. It was a simple conversation about our various backgrounds. I was from a big family. She was an only child. I was a Christian. She was a witch.
Annie Wolaver Dupre · March 2026
NOTE
It was March and Lent was in full swing. It was the sort of day that promises the spring that hasn't fully arrived, and we were prepping for a meeting. It was a fairly important business meeting and the whole Annie Moses Band team had been working long hours getting the elements in hand. As we headed for the door, I looked at my mother, and said, “Mama, you forgot your mascara.” “I gave up mascara for Lent," she said.
Annie Wolaver Dupre · March 2026
Voices
The working musicians, composers, and teachers who carry the Institute's work alongside the founding family.
PortraitTHE INSTITUTE
PortraitHEAD OF DANCE
PortraitTHE INSTITUTE
PortraitDANCE INSTRUCTOR & CHOREOGRAPHER
The Annie Moses Band · Since 2003
The Annie Moses BandThe Institute Letter
On what we are staging, teaching, recording, and reading.
Annie Moses Ministries admits students of any race, color, national and ethnic origin to all the rights, privileges, programs, and activities generally accorded or made available to students in its programs. It does not discriminate on the basis of race, color, national or ethnic origin in administration of its educational policies, admissions policies, scholarship programs, or other school-administered programs.
Support the Institute
The Conservatory's scholarships, the films and concerts on KIN, and every new work we publish are carried by patrons who believe beauty is worth forming and keeping. A gift of any size opens the whole of it — and keeps this work in the world.